https://allybisshop.com ally bisshop Sun, 17 Oct 2021 13:50:21 +0000 https://allybisshop.com en http://allybisshop.com/LIST Sun, 17 Oct 2021 13:50:21 +0000 ally bisshop 413498 ALLY BISSHOP&nbsp; 👀️ 🌾 🕷 🕸 💦 🐚 INFO&nbsp; &nbsp;PROJECTS&nbsp; &nbsp;INSTAGRAM&nbsp;The Blue Humanities: 4th international environmental humanities conference, May 2026CONFERENCE Paper titled, ‘Watery subjects: the limits of futurity’, interrogates future imaginaries in relation to porous, distributed and fluid models of thinking-sensing subjects. It posits watery subjectivities as&nbsp;sites where cognition, agency, and political imagination become unstable, complicating ‘utopian’ visions that depend on coherent, localised and governable subjects.FUTURING; UTOPIA; FICTIONING; CYBERNETICS; SWAMPS &amp; OCEANS; PLANETARY THINKING &nbsp; &nbsp;<img width="1480" height="636" width_o="1480" height_o="636" src_o="https://cortex.persona.co/t/original/i/fb45958937337a31f73f124d033df7da59e17c60c07800970c60dd9b6cbd1c4c/solaris.jpg" data-mid="1433105" border="0" />SOFT FASCINATION: Wetland ghosts and architectures of nonhuman hospitalityARTWORK/ EXHIBITIONAn installation addressing Berlin’s swampy history and multispecies present, created with Jesper Dyrehauge for Olafur Eliasson’s Festival of Future Nows 2025, at Berlin’s Neue Nationalgalerie. Sculptures incorporating sticks and wild grasses gathered from Berlin’s urban river ecosystems - life that persists outside design - interrupt the gallery’s grid-like geometry. Outside, shallow basins recall the swamps on which the city is built; each bridged by a stick that provides safe passage for visiting creatures; a minor gesture of hospitality to silent nonhuman neighbours. PRAXIS; ECO-ARTS; WETLANDS; NONHUMAN; MULTISPECIES JUSTICE<img width="2001" height="3000" width_o="2001" height_o="3000" src_o="https://cortex.persona.co/t/original/i/7e858ca388d3ae3f52998586402951631b4b34f4205f2cc956ce75ae6ffe1cb3/IVER3389_Ivan_Erofeev.jpg" data-mid="1430270" border="0" /><img width="2001" height="3000" width_o="2001" height_o="3000" src_o="https://cortex.persona.co/t/original/i/2eb0b73a4c9da609dc23b643187457b2f913199d05896328df27c27cab26604f/IVER3370_Ivan_Erofeev.jpg" data-mid="1430269" border="0" /><img width="2001" height="3000" width_o="2001" height_o="3000" src_o="https://cortex.persona.co/t/original/i/27d9ee10ee0bf9927a87762f9450337096d3f317602908bb3287be3f18f65449/IVER3391_Ivan_Erofeev.jpg" data-mid="1430271" border="0" /><img width="1920" height="1226" width_o="1920" height_o="1226" src_o="https://cortex.persona.co/t/original/i/3f7945c0ee3a1e3042e20a4b18458a1ac7cf4713d46cd3d5f7454f360ae78313/2025_11_Neue-Nationalgallerie_fot.-Joanna-Wilk_Exhibition_8.jpg" data-mid="1430277" border="0" /><img width="2363" height="3543" width_o="2363" height_o="3543" src_o="https://cortex.persona.co/t/original/i/c87c0def98012cacff2eedecb25cf797ae17625d81d4c191eb1ef9b6f9189ede/N4A0383__victoria_tomaschko.jpg" data-mid="1430273" border="0" /><img width="1920" height="1280" width_o="1920" height_o="1280" src_o="https://cortex.persona.co/t/original/i/1a030ba8f566974773981f8be8a9ca919cbc1e2e26e99d7ec8b55746dd454e48/2025_11_Neue-Nationalgallerie_fot.-Joanna-Wilk_Exhibition_6.jpg" data-mid="1430276" border="0" /><img width="2363" height="3543" width_o="2363" height_o="3543" src_o="https://cortex.persona.co/t/original/i/814548c327a2ed8840cbfe82d35070a17e073914626ba8c5eea2b77c1133e94f/N4A8484__victoria_tomaschko.jpg" data-mid="1430275" border="0" /><img width="2001" height="3000" width_o="2001" height_o="3000" src_o="https://cortex.persona.co/t/original/i/3fa12a96c1c6ffb87e139790ecb95640e8166f869e3de17d6b4459d3d77632e6/IVER3743_Ivan_Erofeev.jpg" data-mid="1430274" border="0" /> Images by Ivan Erofeev,&nbsp; Victoria Tomaschko and Joana Wilk Extended brains, extended subjects: What of the spider remains in the web?BOOK CHAPTER Chapter titled ‘Death and distributed minds: creative speculations on extended spider cognition’, published in the Routledge International Handbook of Queer Death Studies.&nbsp;This chapter enrols animal models of extended cognition and posthuman biophilosophy to explore how extended sujectivities and digital afterlives trouble the life/death threshold.&nbsp; FEMINIST POSTHUMANITIES; NONHUMAN;&nbsp; SPIDERS; BIOPHILOSOPHY; ANIMAL COGNITION<img width="1096" height="1488" width_o="1096" height_o="1488" src_o="https://cortex.persona.co/t/original/i/f2968d6de626112ec7b2616fb692541975905a0f1fcf272409f6c61278e65b7d/Screenshot-2026-01-26-at-6.14.19pm.png" data-mid="1430264" border="0" />Reciprocity - 40x40&nbsp;EXHIBITIONA collaboration with Vanessa Tomlinson, Erik Griswold, Shu Chen and Leah Barclay for ANAT Spectra: Reciprocity 2025, University of the Sunshine Coast, 40x40 was a film and music performance exploring relational connections and stories at different conservation sites through sound, video and text. Text and research contributions. PRAXIS; ECO-ARTS; LISTENING; TIME<img width="3322" height="2310" width_o="3322" height_o="2310" src_o="https://cortex.persona.co/t/original/i/1d9cd2319549f6a3b4544dd3931a63f51b0cc161c75229e387342e29788018e5/IMG_4927-2.jpeg" data-mid="1430282" border="0" />Image: Vanessa Tomlinson and Erik Griswold performing. The speculative promise of vibration for interspecies communicationBOOK CHAPTER Chapter titled, ‘Conversations with a spider’, pubished in the edited collection, Narrating the Mlutispecies World. This chapter explored the speculative promise of vibration as a ‘language’ or medium of affective communication between human and spider in Tomás Saraceno’s Arachnophilia project.&nbsp;NONHUMAN; SPIDERS; BIOPHILOSOPHY; FICTIONING; VIBRATION; RESONANCE; HUMAN-NONHUMAN RELATIONS<img width="1056" height="1460" width_o="1056" height_o="1460" src_o="https://cortex.persona.co/t/original/i/7ee25d5b0e98c4bfce9d73922ad86a1528f3ab28547d31a4753c09e004f7bc1a/Screenshot-2026-01-26-at-6.27.42pm.png" data-mid="1430267" border="0" /><img width="827" height="1280" width_o="827" height_o="1280" src_o="https://cortex.persona.co/t/original/i/993b248b7f97f3d02192ee8d15ed1ae0828abfd100846217a15444aed27c6675/narrating_book_cover.jpg" data-mid="1430266" border="0" />Planetary listening mixtapeARTWORKContributed track&nbsp; ‘(silence is noisy)’ to a mixtape featuring festival artists from the 2023 Planetary Listening: Swamps &amp; Stars event series.&nbsp;PRAXIS; SOUND; LISTENING; NONHUMAN<img width="2048" height="1560" width_o="2048" height_o="1560" src_o="https://cortex.persona.co/t/original/i/23dd0836cd42173d56839ef0de138cf01de2abd4d7c2ff92bec5b66a210d9610/Swamps-and-Stars_cassette-2048x1560.jpg" data-mid="1430265" border="0" />Arts-led conservation @ COCE&nbsp;CONFERENCE PAPER A panel delivered at the 2025 COCE conference in Hobart on arts-led conservation with Vanessa Tomlinson and Shu Chen. My paperm ‘Arts-led conservation: a speculative framework for multispecies care’,&nbsp;explored the role and value of artistic practics of sensing, curiosity and speculative storytelling, and of cultivating a generous orientation to care work as a multispecies endeavour. ECO-ARTS; MORE-THAN-HUMAN TECHNIQUES; NONHUMAN; MULTISPECIES CARE<img width="2280" height="1366" width_o="2280" height_o="1366" src_o="https://cortex.persona.co/t/original/i/f795e587d1cff8402b0a86ef500b5e7523a71a28c418d93a69658edc3273b22c/Screenshot-2026-01-26-at-7.25.47pm.png" data-mid="1430297" border="0" /><img width="2262" height="1346" width_o="2262" height_o="1346" src_o="https://cortex.persona.co/t/original/i/e9fc5dad7d53fdc56a95bc469b4e72ef2044c0915af088e32c91677074c636f0/Screenshot-2026-01-26-at-7.25.57pm.png" data-mid="1430296" border="0" /><img width="2262" height="1276" width_o="2262" height_o="1276" src_o="https://cortex.persona.co/t/original/i/c3c3d8dd7fe97e4d0760dfcdc78f573593bfc3a32ba0eea8d3f399ce4f484677/Screenshot-2026-01-26-at-7.26.15pm.png" data-mid="1430293" border="0" /><img width="2256" height="1266" width_o="2256" height_o="1266" src_o="https://cortex.persona.co/t/original/i/2ff975c20d99f773921b16e17b31e397c67ce95ce21b17a3f76784edd5c4fb23/Screenshot-2026-01-26-at-7.26.07pm.png" data-mid="1430295" border="0" /><img width="2270" height="1268" width_o="2270" height_o="1268" src_o="https://cortex.persona.co/t/original/i/faba37e6db65d1e96877b7804bf6016e40c89cfd3a060da26deafad95a85433e/Screenshot-2026-01-26-at-7.26.23pm.png" data-mid="1430294" border="0" />Cooktown, Solander and Botanical knowledgeLAB/ WORKSHOPWith academic and student participants students from Dalarna Univ. Sweden (led by Axel Grigor), Central Queensland Univ. (led by Jan Cattoni) and Griffith Film School (Nico Meissner, Faramarz&nbsp;K-Rahber), a 2-week workshop in Cooktown, Hope Vale and Cairns with Traditional Custodians, local historians, Indigenous linguists &amp; language-keeepers and scientists, to explore the cultural knowledges, colonial legacies and botanical histories surrounding James Cook and Swedish botanist Daniel Solander’s encounters with Guugu Yimithirr people in 1770.ART-SCIENCE;&nbsp; ECO-ARTS; FILM ESSAY; PLANTS; DECOLONIAL PRAXES<img width="4032" height="3024" width_o="4032" height_o="3024" src_o="https://cortex.persona.co/t/original/i/ffdf790ec1c567b99888d765048c32a0d04853f7784276f54804052bffa6d7c4/IMG_3221.jpeg" data-mid="1430285" border="0" /><img width="4032" height="3024" width_o="4032" height_o="3024" src_o="https://cortex.persona.co/t/original/i/dd8303196d113e741b41e663b7f4be889c24b78eb9ec1df5da104f64b9c1af1a/IMG_3271.jpeg" data-mid="1430288" border="0" /><img width="4032" height="3024" width_o="4032" height_o="3024" src_o="https://cortex.persona.co/t/original/i/0e06987a73cd45cb5462428378e147ccf62681fa5bd9b8dc527564480ef1cbd0/IMG_3762.jpeg" data-mid="1430286" border="0" /><img width="4032" height="3024" width_o="4032" height_o="3024" src_o="https://cortex.persona.co/t/original/i/8022faa0b2609d87ed916e79320bef48185ce961a45959c415a16b0c846c6b57/IMG_3671.jpeg" data-mid="1430290" border="0" /><img width="4032" height="3024" width_o="4032" height_o="3024" src_o="https://cortex.persona.co/t/original/i/e55f8652f999edd6b2f6c5d4a776583c61fb489106147fea054eaa2360a1aa67/IMG_3582.jpeg" data-mid="1430291" border="0" /><img width="4032" height="3024" width_o="4032" height_o="3024" src_o="https://cortex.persona.co/t/original/i/ee6a017c094e135af7ef42fb014057547aabf6ade57ea0d6dd0237035be3705a/IMG_3334.jpeg" data-mid="1430284" border="0" /><img width="4032" height="3024" width_o="4032" height_o="3024" src_o="https://cortex.persona.co/t/original/i/b942d1ea98bd5d2d37ce47a9036a94ec849467aec6ae81e9755a83c7ac3c330e/IMG_3676.jpeg" data-mid="1430289" border="0" />FUTURING: environmental storytelling and virtual productionLAB/ WORKSHOP With Angelica Böhm (Babelsburg Film University) and Griffith University researchers from the Rivers Institute (Fernanda Adame) and the Film School (Nico Meissner, Henry Sun), a 2-week workshop with Masters students on transdisciplinary environmental storytelling - using Virtual Production technology to imagine the future of the Blue Heart wetlands regeneration site. Poster presented at&nbsp;the Climate Ready Australia National Summit in November 2023.&nbsp;ART-SCIENCE;&nbsp; ECO-ARTS; FUTURING; WETLANDS<img width="1280" height="1830" width_o="1280" height_o="1830" src_o="https://cortex.persona.co/t/original/i/cdd92d2c731f1d2918df7716a662f1a2fdab08e379408f9f832194ecfb2e1f15/Screenshot-2026-01-26-at-6.33.03pm.png" data-mid="1430268" border="0" />HYDROFICTIONSEVENT + BOOK + SONIC ESSAY + ARTICLE Hydrofictionsgathered creative practitioners and scientists on a boat trip on the Brisbane River [Maiwar], to experiment with trans- disciplinary environmental storytelling. Co-created with Zeynep Akcay and researchers from Griffith’s Creative Arts Research Institute (CARI), with support from the Climate Action Beacon. Documentation of the event (book and video) were presented at the Climate Ready Australia National Summit in November 2023. A sonic essay and short text was published in issue 7 of the online art journal, Tangible TerritoryART-SCIENCE; FICTIONING; ECO-ARTS <img width="700" height="994" width_o="700" height_o="994" src_o="https://cortex.persona.co/t/original/i/04ac35aff1aedbdf7fc1f22b4108008781fbec0d5d711be6d82544982f1fbd38/hydrofictions_book.gif" data-mid="1430263" border="0" />Narrating multispecies worldsCONFERENCE PAPERPresenting at the&nbsp; conference, ‘Narrating the multispecies world: stories in times of crises, loss, hope’, at the University of Würzburg, Germany, 3-5 August 2023. INTERSPECIES COMMUNICATION;&nbsp; FICTIONING; ART-SCIENCE<img width="1860" height="1314" width_o="1860" height_o="1314" src_o="https://cortex.persona.co/t/original/i/dbe1da1101f66c8a7c0011791b5efc21d962d4e124efa76b157143e900ec5497/Screen-Shot-2023-06-08-at-2.42.56-pm.png" data-mid="1293283" border="0" />Planetary listening: swamps &amp; starsLECTURE PERFORMANCENew work, ‘DAOTOPIA’, performed at ‘On Wetlands and Emergent Life‘ – the first event in the Planetary Listening: Swamps &amp; Stars series, curated by Brandon LaBelle and Kate Donovan.&nbsp; Saturday 13 May at&nbsp;Bruno H. Bürgel Observatory, Berlin – with Adriana Knouf and Felicity Mangan. Vimeo link pw: swampsandstarsPRAXIS; FILM ESSAY; NONHUMAN; LISTENING; FICTIONING; CYBERNETICS; WETLANDS<img width="960" height="541" width_o="960" height_o="541" src_o="https://cortex.persona.co/t/original/i/5ff02b72f0aa2d8ae4dcde8c61c6d742cc06c059e277596d7f3532f3008431b6/346259382_207083232115442_8782295420457152869_n.jpeg" data-mid="1286172" border="0" /><img width="821" height="831" width_o="821" height_o="831" src_o="https://cortex.persona.co/t/original/i/c2e0b74d2dd5ca0d27dbc251147614506aedf6e35ca70c3063e50d7065711ee1/5310861D-C20C-4973-868B-7C4752DE0A0F.jpg" data-mid="1293286" border="0" /><img width="3024" height="1964" width_o="3024" height_o="1964" src_o="https://cortex.persona.co/t/original/i/3b898a392fd48bafb54e219bae92ed44afa2a259678b082def69cc5999bef5a3/Screen-Shot-2023-05-26-at-11.30.10-am.png" data-mid="1293285" border="0" />Birds and LanguageARTICLENew creative practice essay, ‘Dear Volker: a human-sparrow epistolary about expression, desire, and thresholds of relation.’ Published in Unlikely Journal for the Arts Special Issue: Birds and LanguagePRAXIS; ESSAY; NONHUMAN; INTERSPECIES COMMUNICATION; FICTIONING<img width="12759" height="7810" width_o="12759" height_o="7810" src_o="https://cortex.persona.co/t/original/i/c4c67fb490b8cd048f3ff052e44df9a84fcc57bc906f8b854eae9eb61641b11a/volkertemporal.jpg" data-mid="1262337" border="0" />LOST ROCKS @ ZabriskieREADING Presentation and reading event at Zabriskie Buchladen in Berlin - for the Lost Rocks series, including my book MARBLE. With publishers Justy Phillips and Margaret Woodward, and fellow artists Catherine Evans and Kate Donovan.PRAXIS; BOOK; MARBLE; NONHUMAN; GEOLOGIC; MINERALOGIC; FICTIONING<img width="1086" height="1536" width_o="1086" height_o="1536" src_o="https://cortex.persona.co/t/original/i/cb4c4c69b818a6ab6d557ff48b22979616020d875cab8feca1c66f33c1a8e16c/Zabriskie_Veranstaltungen_Lost-Rocks-Presentation_2022-1086x1536.jpeg" data-mid="1237258" border="0" data-scale="75"/>ART IS SCIENCE IS ARTCONFERENCE PAPERPresenting ‘Webs of relation: Vibrational resonances between spider and human, between science and art‘with Roland Mühlethaler for ARACHNOPHILIA? Studio Toma Saraceno at the 2022 Entomological Society of America Joint MeetingSPIDERS;&nbsp; INTERSPECIES COMMUNICATION; BIOTREMOLOGY; ART-SCIENCE; ARACHNOPHILIA<img width="974" height="548" width_o="974" height_o="548" src_o="https://cortex.persona.co/t/original/i/6862858279aab220b37581c34a52a00c49954be34a148f2361f1f4f713305a64/Screen-Shot-2022-11-03-at-11.18.55-am.png" data-mid="1236989" border="0" />SPLINTERED REALITIESCONFERENCE PAPERPresenting at the 5th Renewable Futures conference:&nbsp;SPLINTERED REALITIES –&nbsp; RIXC Art Science 2022. Talking about interspecies communication and vibration on Friday 7th October, in a panel titled:&nbsp;Naturecultures: MORE-THAN-HUMAN.MORE-THAN-HUMAN; SPIDERS;&nbsp; INTERSPECIES COMMUNICATION; MYTHPOESIS; DIVINATION<img width="1474" height="672" width_o="1474" height_o="672" src_o="https://cortex.persona.co/t/original/i/1254e068aa13156aa5ac4056746b425c901e1398fce3247ef8bfc22fe3a67cf0/Screenshot-2022-09-28-at-12.12.18.png" data-mid="1228233" border="0" />For the Exhausted OnesESSAYEssay commissioned for&nbsp; Renae Shadler’s Moving Across Thresholds project. Scores and propositions for moving between Hypnos and Eros, between desire and fatigue.DESIRE; FATIGUE; ECOLOGIES; MOVEMENT;&nbsp; THRESHOLDS<img width="693" height="988" width_o="693" height_o="988" src_o="https://cortex.persona.co/t/original/i/efe80f5f212c231ce3318268c7dfef9f966c9d82e3c11f7dd534ed63bc4aa830/Screenshot-2022-09-18-at-13.08.54.png" data-mid="1224544" border="0" />UNDER MY GAZEDRAMATURGY Working with choreographer Renae Shadler and collaborators in the development of ‘Under my Gaze’: a contemporary sun ritual performed by three humans and the Aerocene aerosolar sculpture, in a performance that embeds more-than-human propositions for moving-with solar energy. 28-31 July, Villa Elisabeth Berlin.&nbsp;SUN WORSHIP; THRESHOLDS; DANCE<img width="520" height="345" width_o="520" height_o="345" src_o="https://cortex.persona.co/t/original/i/7bc3bef21ead4403df33ce1744dc3b49b381b2dd321eeb9d0fb36d4c0d39c68d/pxl_20220714_133058832_exported_1932_16579035888632_520x345.jpeg" data-mid="1209943" border="0" /> LOST ROCKS AT MISS READBOOK FAIR At the MISS READ Book Fair (April 29 – May 01) at HKW Berlin with Catherine Evans and Kate Donovan to spruik the LOST ROCKS geofiction series by A Published Event – the publishing project of Justy Phillips and Margaret Woodward.FICTIONING; ARTIST BOOKS; MARBLE<img width="1142" height="1142" width_o="1142" height_o="1142" src_o="https://cortex.persona.co/t/original/i/d3337940f5ffcf8d32f867faaa71ff2b2aad9485bdcffc6166a0e7f8b81613e7/Screenshot-2022-04-25-at-16.32.43.png" data-mid="1185484" border="0" data-scale="67"/> SUNSET RADIO (REDUX)ARTWORK/ PERFORMANCETogether with Kate Donovan, a sunset radio event at 8:30 pm on Saturday 29th April for REVEIL 2022 over the Dawn Chorus Day Weekend.PRAXIS; THRESHOLDS; SUN WORSHIP; RADIO; SOUND ART<img width="1306" height="1088" width_o="1306" height_o="1088" src_o="https://cortex.persona.co/t/original/i/6b11cbd18817a3c3bbf67861a920cc48837f2c12d68e7b9ab04f922721b75c61/Screenshot-2022-04-25-at-16.23.25.png" data-mid="1185482" border="0" />ALIENS ARE TEMPORARYARTWORK/ EXHIBITIONParticipation in the group exhibition, ‘Aliens are Temporary’ at Kunstraum Kreuzberg/ Bethanien Berlin, curated by Sonia Fernández Pan, Sylvia Sadzinski, Anaïs Senli. Opens April 8th 2022.&nbsp;PRAXIS; MYTHOPOESIS; MATERIALITY; SCULPTURE<img width="4030" height="2861" width_o="4030" height_o="2861" src_o="https://cortex.persona.co/t/original/i/668712e2cf1170157814c862108a3bf470ac69b6e49507db723d026e2a2b6719/IMG_6702.JPG" data-mid="1178873" border="0" /><img width="2000" height="1500" width_o="2000" height_o="1500" src_o="https://cortex.persona.co/t/original/i/ed14e8d3611d7e20cc824c1ad5163ad52331e8386f26a2e0da75eae8371702cd/7Ally-Bisshop_There-are-patterns-2015_Photo-by-Eric-Tschernow-.jpg" data-mid="1209944" border="0" /><img width="5857" height="3904" width_o="5857" height_o="3904" src_o="https://cortex.persona.co/t/original/i/c36fa52eec157e88bdbd91103b786c7a396520677998f4b09e9e6474422f257d/7.2Ally-Bisshop_There-are-patterns-2015_Photo-by-Dani-Hasrouni.JPG" data-mid="1209947" border="0" /><img width="5838" height="3892" width_o="5838" height_o="3892" src_o="https://cortex.persona.co/t/original/i/346002a8cb5b6c752487cf0075d4044df22c46482470bd9bfd8f116fc1230297/29.127Ally-Bisshop_Echoes---Nymphs--2022_Photo-by-Dani-Hasrouni.JPG" data-mid="1209946" border="0" /><img width="4000" height="3000" width_o="4000" height_o="3000" src_o="https://cortex.persona.co/t/original/i/7382ff3a4bc5fa42eb213e16ebd2367ac2b233b76edd740a6d4363b866c8275e/K_B-62866-2.jpg" data-mid="1209948" border="0" /><img width="2000" height="1500" width_o="2000" height_o="1500" src_o="https://cortex.persona.co/t/original/i/cdf3501b2f4aec4356e1c9aafb4754734730d7326d84be2caacf0cb81cf44505/28Ally-Bisshop_Echoes---Nymphs--2022_Photo-by-Eric-Tschernow-.jpg" data-mid="1209945" border="0" /> SUNSET RADIOARTWORK/ PERFORMANCETogether with Kate Donovan, a sunset radio event at 6pm on Saturday 26th March in Körnerpark for the exhibition SILENT SPRING, transmitting through the ‘grey line’.PRAXIS; THRESHOLDS: SUN WORSHIP; RADIO;&nbsp;SOUND ART<img width="1240" height="878" width_o="1240" height_o="878" src_o="https://cortex.persona.co/t/original/i/a7bcf59ed2bc091f8b3a4b03dae3eee0c58d4552cdf43937a03d44e644b8985d/Screenshot-2022-03-20-at-18.56.28.png" data-mid="1173145" border="0" /> Arachnomadology: A Zoētic Framework for Queering Stories of Spider Sex, Life, and DeathRESEARCH PAPERPublished in Australian Feminist Studies journal: a tour through the spider’s sexed practices of living and dying, and the propositions for rethinking spiderly lives therein.FEMINIST POSTHUMANITIES; NONHUMAN;&nbsp; SPIDERS; BIOPHILOSOPHY; THRESHOLDS OF DIFFERENCE; ANIMAL STUDIES<img width="601" height="510" width_o="601" height_o="510" src_o="https://cortex.persona.co/t/original/i/1e7ed565ff43e8ef571acc1c05318fbda69c82fc9f1e4de6ba0a2c1f17723a89/Screenshot-2022-03-14-at-18.41.27.png" data-mid="1171151" border="0" />Mythopoesis, speculation, vibration divination: artistic methods for human/spider communication&nbsp;CONFERENCE PAPEROn Thursday 18 March 2022, presenting a paper on spiders, mythopoesis and interspecies communication at the Workshop and Conference: Humans, Ticks and Insects in Multispecies Networks at the University of Turku.NONHUMAN; MYTHOPOESIS; INTERSPECIES COMMUNICATION; SPIDERS<img width="634" height="297" width_o="634" height_o="297" src_o="https://cortex.persona.co/t/original/i/47fd7b3157f61cee87e52c8f97c8616d4c5564c757d2baea3c638c174afd2603/Screenshot-2022-02-20-at-14.26.59.png" data-mid="1165343" border="0" /> Moving across thresholds LAB/ WORKSHOPOn Thursday 10 March 2022, leading a workshop on fatigue as a creative proposition for Renae Shadler’s Moving Across Thresholds project. FATIGUE; THRESHOLDS; PROPOSITIONS; DANCE <img width="750" height="563" width_o="750" height_o="563" src_o="https://cortex.persona.co/t/original/i/8d9dd583debbc47cdd31ad97ee4613f103800abb244cd3bb8596c37d5a072b5d/WhatsApp-Image-2022-03-11-at-10.39.08.jpeg" data-mid="1170278" border="0" /> WORLDING&nbsp; PODCAST/ CONVERSATIONOn Wednesday 23 February 2022, a conversation with Renae Shadler on fatigue, nonhuman desire and thresholding techniques, for her WORLDING podcast. FATIGUE; EROS AND HYPNOS; TECHNIQUES OF RELATION; THRESHOLDS; MORE-THAN-HUMAN SENSING <img width="1400" height="1400" width_o="1400" height_o="1400" src_o="https://cortex.persona.co/t/original/i/26c89fdb1e7a18ea205718499b87c2f57baf2c3cdfbc8d2979f9535976f38fd8/worlding.jpeg" data-mid="1165345" border="0" data-scale="73"/>&nbsp; Lost rocks radio READING AND COLLECTED SOUNDOn Tuesday 30 November 2021, discussing my work of geofiction, Marble (2017) with Catherine Evans—author of the book, Copper, in the same series, Lost Rocks—and Kate Donovan, on Archipel Radio (88.4 fm, Berlin), at Zabriskie Books. NONHUMAN; FICTIONING; MARBLE; RADIO; SOUND ART &nbsp; &nbsp;<img width="400" height="566" width_o="400" height_o="566" src_o="https://cortex.persona.co/t/original/i/73ff8c4c7f821248e867e046696bef21316da2b1ce1a9e2a2ce7c1ebb05c7781/IMG_4861.jpeg" data-mid="1165346" border="0" data-scale="65"/>KHB Buchmesse BOOK FAIRMy work of geofiction, Marble (2017), in the KHB book fair, Berlin. FICTIONING; MARBLE <img width="400" height="398" width_o="400" height_o="398" src_o="https://cortex.persona.co/t/original/i/756d711df9587dcf7347b9b407967a6921e45a9b01296349a0762e71422eb84e/IMG_4881.jpeg" data-mid="1165347" border="0" data-scale="59"/>Spider walk WALKING TOURWith entomologist Roland Mühlethaler and as part of Tomás Saraceno’s Arachnophilia community, leading a tour of spider/web ecologies of the ICC Berlin for the Berliner Festspiele event, ‘The Sun Machine is Coming Down’, October 2021. NONHUMAN; WALKING; MYTHOPOESIS; SPIDERS <img width="400" height="152" width_o="400" height_o="152" src_o="https://cortex.persona.co/t/original/i/7c8d5550fdf603c7b6de1376d617544391fc00979a7d8cdabd60d88a702a845c/Screenshot-2021-10-12-at-09.28.13-1.png" data-mid="1165348" border="0" />Spider phenomenology: a speculative journey through the world of Pholcus gropiusbau TEXTInvited chapter in the book, ‘Down to Earth’ (in German), published by Berliner Festspiele/Spector Books, September 2021. NONHUMAN; MYTHOPOESIS; FICTIONING; SPIDERS <img width="350" height="248" width_o="350" height_o="248" src_o="https://cortex.persona.co/t/original/i/2519449c12fdc83b047c5ec22ce8e2f88fdddfe3b8412a9f64767ac950a8c727/s25c-921092011420_0001_bea.jpeg" data-mid="1165349" border="0" /><img width="350" height="248" width_o="350" height_o="248" src_o="https://cortex.persona.co/t/original/i/7dedcbbd25b6c2e6b6507abaf4c0c336c2177a4d423590029adf7259ddeb06fa/s25c-921092011420_0009_bea.jpeg" data-mid="1165350" border="0" />A field journal of Eros and Hypnos ARTWORK (WIP)Lyric essay (fieldnotes) and field recordings from residency on the Finnish island of Örö, July 2021. QUEER ECOLOGIES; DEATH; NONHUMAN; MYTHOPOESIS; FIELD RECORDINGS, HYDROPHONE; KELP FORESTS <img width="2536" height="2651" width_o="2536" height_o="2651" src_o="https://cortex.persona.co/t/original/i/25b42900375aa01d0ebbc20734c552d684da73dd9f6d6609f06880e0640276a2/IMG_3344_cropped.jpg" data-mid="1165351" border="0" data-scale="82"/>More-than-human sensing as relational praxis: propositions for sensing-with, sensing-otherwise CONFERENCE PAPER Invited presentation for the panel, ‘More than human sensing’ at University Potsdam, June 2021. MORE THAN HUMAN SENSING; NONHUMAN; TECHNIQUES OF RELATION <img width="350" height="197" width_o="350" height_o="197" src_o="https://cortex.persona.co/t/original/i/48fc77f99d75eece2ef9be9cb7efe0ac824e7b72d47b83d1b6c1c66a0899da6d/Pages-from-SLIDES_PDF_Page_1.jpeg" data-mid="1165354" border="0" /><img width="350" height="197" width_o="350" height_o="197" src_o="https://cortex.persona.co/t/original/i/f406a7764338b4726fcbf98a406bf1bee0581ea2315921c91d15ab089d504595/Pages-from-SLIDES_PDF_Page_2.jpeg" data-mid="1165353" border="0" />Howard Springs, early morning SOUND ARTWORKField recordings created at Howard Springs quarantine facility, NT Australia. Listenonline via the NTS Field Recordings infinite mixtape at nts.live. MORE THAN HUMAN SENSING;&nbsp; NONHUMAN; SOUND <img width="1080" height="1350" width_o="1080" height_o="1350" src_o="https://cortex.persona.co/t/original/i/51ed68b9f469cc4c96c228f3cb950e0f52f211c0c4c2b70967e2a04bf8abe705/FieldRecordings_InfiniteMixtape_Promo_Instagram_Feed1.gif" data-mid="1165355" border="0" data-scale="81"/>Material lives of time: Possible vehicles for time travel SOUND ARTWORKSonic essay for the Temporal Belongings conference, ‘The Material Life of Time’, March 2021.. TEMPORALITIES, FICTIONING; NONHUMAN; SOUND &nbsp; &nbsp;<img width="1100" height="550" width_o="1100" height_o="550" src_o="https://cortex.persona.co/t/original/i/1550628a9cb4e7e9a32147eaf516f18e953bb507a0fcc4dddbbc6228570a9e4f/MLOT.png" data-mid="1165356" border="0" />Toward a haptic astronomy; or, how else to read the cosmos?) TEXTEssay prepared for the Arachnophilia community on the occasion of Tomás Saraceno’s event and artwork, ‘How to hear the universe in a spider’s web?’, December 2020. MORE THAN HUMAN; VIBRATIONAL ONTOLOGIES; COSMOS; RELATIONAL TECHNIQUES; SPIDERS &nbsp; &nbsp;<img width="450" height="632" width_o="450" height_o="632" src_o="https://cortex.persona.co/t/original/i/ce3e4de655b4091c712c994337a52a374a826272f00d87092b4d8e177374f392/Screenshot-2021-10-13-at-17.03.41.png" data-mid="1165357" border="0" data-scale="70"/>An ache, a knot, a thread TEXTInvited essay for Bernd Herzogenrath’s (C)Ovid’s metamorphosis project, 2020. Project (book + CD + DVD collection) available through meakusma at bandcamp.&nbsp; NONHUMAN; MYTHOPOESIS; SPIDERS <img width="450" height="621" width_o="450" height_o="621" src_o="https://cortex.persona.co/t/original/i/6c788bac2792d75002d2ac123f64e9748f69b54c113ed9352a01b77ae5b4dd3d/Screenshot-2021-10-13-at-18.28.47.png" data-mid="1165358" border="0" data-scale="71"/>Symbiotic Skins, Metabolic Schema TEXT Essay prepared for Michael Marder and Anais Tondeur’s ‘The Skin of Things’ project on behalf of Arachnophilia/Studio Saraceno, July 2020. NONHUMAN; SPIDERS; SYMBIOPOESIS <img width="450" height="548" width_o="450" height_o="548" src_o="https://cortex.persona.co/t/original/i/b80737461d4c94eacf1a6292c437b0bf57ea7f5cb3c453e0c6bd3b06aee6d05e/Screenshot-2021-10-13-at-18.24.20.png" data-mid="1165359" border="0" data-scale="70"/>Datscha Radio:&nbsp;Possible vehicles for time travel ARTWORKInvited live reading for the Datscha Radio Festival, ‘Listening to the Universe’, curated by Kate Donovan, Gabi Schaffer Berlin, July 2020. NONHUMAN; MYTHOPOESIS; FICTIONING; TEMPORALITIES; SOUND &nbsp; &nbsp;<img width="450" height="338" width_o="450" height_o="338" src_o="https://cortex.persona.co/t/original/i/5f13081dd58f40597eefeb7900ef7ed50c53f1318cb2b32f3578136dda8d9350/eibe_ladies_blog-1600x1200.jpeg" data-mid="1165361" border="0" /><img width="450" height="464" width_o="450" height_o="464" src_o="https://cortex.persona.co/t/original/i/45247454b5a8694a38150398461101f10d6428b37b4fe81ae1c352ccde2723f5/datscharadio.jpeg" data-mid="1165362" border="0" />Queering the wound: zoetic figurations of nonhuman life as tools for rethinking death. CONFERENCE PAPERConference paper delivered at the SLSAeu 2020: Anthropocene(s): Reworking the wound, Museum Śląskie, Poland. NONHUMAN; FICTIONING; QUEER DEATH; SPIDERS &nbsp; &nbsp;<img width="450" height="237" width_o="450" height_o="237" src_o="https://cortex.persona.co/t/original/i/c01329b64f1e89a7aa4d0768f46f620b168dbcb0a8072c7319d990a214468371/273350.jpeg" data-mid="1165364" border="0" /><img width="450" height="198" width_o="450" height_o="198" src_o="https://cortex.persona.co/t/original/i/d271761272fbe769047666f673e0859bb2ff31d7b9e03d7377f0f0e195c2fd29/anthropocene.jpeg" data-mid="1165363" border="0" />Arachnomadology: Queer cartographies of arachnid death, sex, life CONFERENCE PAPERConference paper delivered at the inaugural Queer Death Studies conference, ‘Death Matters, Queer(ing) Mourning, Attuning to Transitionings’, Karlstad, Sweden, November 2019. NONHUMAN; FICTIONING; QUEER DEATH; SPIDERS <img width="450" height="338" width_o="450" height_o="338" src_o="https://cortex.persona.co/t/original/i/16be3783bff513bb8cdbaee2a33c431e4172ac3204eb4be3d280113bc8d2245b/Slide1.jpeg" data-mid="1165365" border="0" /><img width="450" height="338" width_o="450" height_o="338" src_o="https://cortex.persona.co/t/original/i/b9d5415354e8c8a2a344d6ba7dc75549524fc4b1e422142385c7052da4450201/Slide2.jpeg" data-mid="1165366" border="0" /><img width="450" height="338" width_o="450" height_o="338" src_o="https://cortex.persona.co/t/original/i/90cd65c06d04c19d76c96536dcc39f841d71b0ea48cd49bafe282cc526620258/Slide3.jpeg" data-mid="1165367" border="0" />Upon a leaf SOUND ARTWORKCollaborative artwork with Lucy Powell (Holobiosonics) - sonic essay, September 2019. MORE THAN HUMAN SENSING; NONHUMAN; SOUND; TECHNIQUES OF RELATION; VEGETAL THINKING &nbsp; &nbsp;<img width="500" height="150" width_o="500" height_o="150" src_o="https://cortex.persona.co/t/original/i/9b49abe2665062ebf17cb222e6f8d154a4daa2b05d6b3fde33beaacc5bdf4787/Screenshot-2021-10-12-at-14.02.24.png" data-mid="1165368" border="0" />Publication:&nbsp;In the community of clones TEXTPublication exploring plant sex, clones,&nbsp; and vegetal relations with Lucy Powell for Holobiosonics. MORE THAN HUMAN SENSING; NONHUMAN; SOUND; TECHNIQUES OF RELATION; VEGETAL THINKING <img width="450" height="637" width_o="450" height_o="637" src_o="https://cortex.persona.co/t/original/i/9a0a6ec24dedd4910ac25fed403a2c2b1044744fb16aa90bfe60f150fc2a945b/qotn_pdfonline_Page_01.jpeg" data-mid="1165371" border="0" data-scale="70"/><img width="450" height="637" width_o="450" height_o="637" src_o="https://cortex.persona.co/t/original/i/3e8abc4727701462d66e4b2bd14f8f3791e36cd5c772bcfa824684af641cb644/qotn_pdfonline_Page_02.jpeg" data-mid="1165372" border="0" data-scale="70"/>Salon and Installation: In the community of clones PERFORMANCE LECTURE AND INSTALLATIONCollaborative artwork with Lucy Powell (Holobiosonics) exploring the sexual lives and multispecies entanglements of night-flowering cacti for the ‘Interiors to Being’ festival, Berlin, August 2019. MORE THAN HUMAN SENSING; NONHUMAN; SOUND; TECHNIQUES OF RELATION; VEGETAL THINKING <img width="450" height="253" width_o="450" height_o="253" src_o="https://cortex.persona.co/t/original/i/073d05c019b3a1506386321b701d1c3fade9a433a1495aa87d2b1ce9e4a04d04/P1044056.jpeg" data-mid="1165373" border="0" /><img width="450" height="253" width_o="450" height_o="253" src_o="https://cortex.persona.co/t/original/i/246ac8f07214c7c0ed87b1f32d1b8b90c0ff78ef531a5eab70d82f64330dc6df/P1044195-2.jpeg" data-mid="1165374" border="0" /><img width="450" height="253" width_o="450" height_o="253" src_o="https://cortex.persona.co/t/original/i/37e3987dd661f02f55721ceee18e792bbdc62cebd2d87c0051e1190163bd47ac/P1044160-2.jpeg" data-mid="1165375" border="0" /><img width="450" height="253" width_o="450" height_o="253" src_o="https://cortex.persona.co/t/original/i/5fe3fe74372e9840918e7461c0dc46c5e2134ca4de93112e03db331049a89a2e/P1044122-2-copy.jpeg" data-mid="1165377" border="0" /><img width="450" height="253" width_o="450" height_o="253" src_o="https://cortex.persona.co/t/original/i/eb390b459e52dfeb5d0ae8af0f381ac6371dd89c7ec12a00629d4a4d58e373f5/P1044180-2.jpeg" data-mid="1165378" border="0" /><img width="450" height="253" width_o="450" height_o="253" src_o="https://cortex.persona.co/t/original/i/28a386d7c14fb93e3d84e0d1093f1b9dfc14c8c0d04fd68feea8c25396e1a9d7/P1044131-2.jpeg" data-mid="1165376" border="0" />Invertebrate Architectures:What of the spider remains in the web? TEXTConference paper delivered at the Animal Remains conference at Sheffield University, April 2019. NONHUMAN; FICTIONING; QUEER DEATH; EXTINCTION STORIES; SPIDERS <img width="450" height="580" width_o="450" height_o="580" src_o="https://cortex.persona.co/t/original/i/1e0d4a3a26e4e53fdc60b491fa52b5c7f08562bd102daa72979679e11769dfd8/Screenshot-2021-10-13-at-18.38.52.png" data-mid="1165379" border="0" data-scale="72"/>Arachnid Orchestras: artistic research in vibrational interspecies communication TEXTInvited, co-authored chapter in the book, ‘Biotremology: Studying Vibrational Behavior’, edited by Peggy Hill et al. Springer series: Animal Signals and Communication, 2019. NONHUMAN; VIBRATION; SOUND; INTERSPECIES COMMUNICATION; SPIDERS <img width="904" height="1108" width_o="904" height_o="1108" src_o="https://cortex.persona.co/t/original/i/7cb2b2377426b20176b5a2d16a39dde6c81b43e56343d7d8fa98f37f77c79ce1/1-2a43bb2c24.jpeg" data-mid="1165380" border="0" data-scale="77"/><img width="450" height="551" width_o="450" height_o="551" src_o="https://cortex.persona.co/t/original/i/667eee42018ee90251c5b5674b9e0f7d1d833a536b10898ba14d3ef40e8a53f1/2-494c8670d8-1.jpeg" data-mid="1165381" border="0" data-scale="77"/>Articulating Thresholds ~ artistic techniques for more-than-human sensitivities THESISFinal thesis for a practice-based Ph.D. through the National Institute for Experimental Arts, UNSW Sydney, March 2018 NONHUMAN; WALKING; MYTHOPOESIS; SPIDERS &nbsp; &nbsp;<img width="16091" height="10524" width_o="16091" height_o="10524" src_o="https://cortex.persona.co/t/original/i/54ad379527a14c6cb82d7db7e6400aaa31e180cf2d217530cc30044cd6fe2b34/printedbookcover.jpg" data-mid="1165385" border="0" />It matters what moves SOLO EXHIBITIONFinal exhibition for my doctoral thesis, an experimentation with matter as movement. Exhibited at COFAspace gallery, UNSW Sydney, May 2018. THRESHOLDS OF RELATION; MORE-THAN-HUMAN; PROCESSUAL ART PRAXIS; MATTER AS MOVEMENT <img width="1080" height="1620" width_o="1080" height_o="1620" src_o="https://cortex.persona.co/t/original/i/939e240bd35df903ce71655bde5c950f93b1e2bf51763ebc40d9adeadba76f67/A-B-MAY18-web-23.jpg" data-mid="1165386" border="0" /><img width="1080" height="1620" width_o="1080" height_o="1620" src_o="https://cortex.persona.co/t/original/i/bcdaaa42898799a9fa4292af4561ca4bb36aa82c89bc38b51f72dab5a3693ece/A-B-MAY18-web-25.jpg" data-mid="1165388" border="0" /><img width="1620" height="1080" width_o="1620" height_o="1080" src_o="https://cortex.persona.co/t/original/i/db392d4656a5cd241b94e4e23b0ac76f0ea939ad0eb68e47d66b72e128ecca1c/A-B-MAY18-web-20.jpg" data-mid="1165392" border="0" /><img width="1080" height="1620" width_o="1080" height_o="1620" src_o="https://cortex.persona.co/t/original/i/09a7157bec0d770786ec8de046e0fdd4774127ea8d4398d05515681669ce68d9/A-B-MAY18-web-27.jpg" data-mid="1165389" border="0" /><img width="1620" height="1080" width_o="1620" height_o="1080" src_o="https://cortex.persona.co/t/original/i/ca1af0aa738ed658f756ffbdcb16e277407ffee58334ce03d34913001d0d56af/A-B-MAY18-web-16.jpg" data-mid="1165390" border="0" /><img width="1620" height="1080" width_o="1620" height_o="1080" src_o="https://cortex.persona.co/t/original/i/cd430acb41fe43d3a8772778eeb14e03c070f01139570b19565565cb38fb5902/A-B-MAY18-web-14.jpg" data-mid="1165391" border="0" /><img width="1080" height="1620" width_o="1080" height_o="1620" src_o="https://cortex.persona.co/t/original/i/0ba1039a3d79a1dc01aa9e9c5f68d4ba479e9192c62a9ef5b4dfbdb07f827333/A-B-MAY18-web-24.jpg" data-mid="1165387" border="0" />Possible vehicles for time travel BOOKArtist book documenting experiments in time dilation and explorations of multispecies temporality. Printed on risograph press at wemakeit, Berlin, January 2018. THRESHOLDS OF RELATION; MORE-THAN-HUMAN; ART PRAXIS; TEMPORALITIES <img width="450" height="639" width_o="450" height_o="639" src_o="https://cortex.persona.co/t/original/i/72de67bbef50370caf3d0d066ef138887539f0b68be16ad99a62581c586f462e/pvftt_2021_Page_001.jpeg" data-mid="1165393" border="0" /><img width="450" height="639" width_o="450" height_o="639" src_o="https://cortex.persona.co/t/original/i/365e334cda9a4fb5ba97c406518c599de0038a9ef6bb5cdff4f77a79b66dc191/pvftt_2021_Page_003.jpeg" data-mid="1165394" border="0" />The bees will tell us ARTWORK (VIDEO)Filmed in Paris during a residency at the Cite des Arts, with additional archival and found footage, 2018. MORE-THAN-HUMAN; MYTHOPOESIS; ART PRAXIS; FICTIONING; EXTINCTION <img width="2362" height="1772" width_o="2362" height_o="1772" src_o="https://cortex.persona.co/t/original/i/c42b1e1c89f5827d9b1ec5d9c247869098e53bc38dfe5f1b1eca6d18b41eb93c/IMG_2353.jpg" data-mid="1165395" border="0" /><img width="450" height="253" width_o="450" height_o="253" src_o="https://cortex.persona.co/t/original/i/e24c3111d1106bd31b25b47fc7446cacbfbe2831874196650b3d249b8ed6a197/Screen-Shot-2019-04-25-at-10.30.24.png" data-mid="1165397" border="0" />MARBLE BOOKA geofictive novella commissioned by Justy Phillips and Margaret Woodward (a pulbished event) for their Lost Rocks series, 2017. MYTHOPOESIS; FICTIONING; MORE-THAN-HUMAN; MATERIALITIES; GEOFICTION <img width="843" height="570" width_o="843" height_o="570" src_o="https://cortex.persona.co/t/original/i/ff8c172f04ceedea7dc2ea26d8c5564b9ffad647b34c7ce8c20185e5675f1e79/bisshop-marble-1-1.jpg" data-mid="1165399" border="0" /><img width="2599" height="2126" width_o="2599" height_o="2126" src_o="https://cortex.persona.co/t/original/i/3a31d2cdb6f8125c1ab6da5f3d03dad4e8f3527dea8718690920de3e39bed345/PDFtoJPG.me-1.jpg" data-mid="1165398" border="0" />Elements: crystals and rocks READING AND DISCUSSIONA reading from the book Marble (2017), Hobart: A Published Event and discussion with Catherine Evans for Kate Donovan’s radio show, Elements, on Colaboradio Berlin. MYTHOPOESIS; FICTIONING; MORE-THAN-HUMAN; MATERIALITIES; GEOFICTION &nbsp; &nbsp;<img width="500" height="186" width_o="500" height_o="186" src_o="https://cortex.persona.co/t/original/i/30caeb04e5cacb60e34fd4cb14174c0e30882abb22bb1ef2f155250339f9dfed/Screenshot-2021-10-12-at-09.31.39.png" data-mid="1165400" border="0" />Festival of Future Nows II ARTWORK/ EXHIBITIONExhibition of three installation pieces for Olafur Eliasson’s Festival of Future Nows, exhibited at Hamburger Bahnhof, Berlin, 2017. THRESHOLDS OF RELATION; MORE-THAN-HUMAN; RESONANCE; ART PRAXIS; MATTER AS MOVEMENT <img width="1100" height="712" width_o="1100" height_o="712" src_o="https://cortex.persona.co/t/original/i/cb102ae481e3c8dd63318d04e7088ab2aae08ef9e3f4794ea7fc797302a266b5/fofn-15.09.-dvb-129-copy-1100x712.jpg" data-mid="1165401" border="0" /><img width="1100" height="712" width_o="1100" height_o="712" src_o="https://cortex.persona.co/t/original/i/3791e57e53562dc6eebab772c7cdc2d4314e09fbf5916139e62cd78cae7b7798/fofn-15.09.-dvb-40-copy-1100x712.jpg" data-mid="1165402" border="0" /><img width="1100" height="749" width_o="1100" height_o="749" src_o="https://cortex.persona.co/t/original/i/8b7cc29210fe1a819bd2639bf450bbc0380f9738b41efd77426564ed43de1a45/fofn-15.09.-dvb-41-copy-1100x749.jpg" data-mid="1165403" border="0" />The seekers ARTWORK/ EXHIBITIONInvited artist in group show, The Seekers, at tete berlin, 2017. THRESHOLDS OF RELATION; MORE-THAN-HUMAN; RESONANCE; ART PRAXIS; MATTER AS MOVEMENT <img width="3264" height="2448" width_o="3264" height_o="2448" src_o="https://cortex.persona.co/t/original/i/936627a386c5ba35afee196b7fd09f85cda54dc053ad4dcc9e37906d3273edf2/unnamed.jpg" data-mid="1165404" border="0" />AFFECT: The Institute for Endotic Research ARTWORK/ EXHIBITIONGroup exhibition for the AFFECT residency curated by Lorenzo Sandoval and the Institute for Endotic Research. Exhibitions at Affect and at Broken Dimanche Press, 2016. THRESHOLDS OF RELATION; DRAWING MACHINE; RESONANCE; ART PRAXIS; MATTER AS MOVEMENT &nbsp; &nbsp;<img width="3024" height="4032" width_o="3024" height_o="4032" src_o="https://cortex.persona.co/t/original/i/e9bf062f539ff4693951d026f72a0fdaa19f3e28b80eb8256614402fffb03268/IMG_2110.jpeg" data-mid="1165405" border="0" /><img width="3024" height="4032" width_o="3024" height_o="4032" src_o="https://cortex.persona.co/t/original/i/ea7841cbfd5bba708dc74f18883b57ff8c2d9e943cf9169be35bb02f991d9c1f/IMG_2098.jpeg" data-mid="1165407" border="0" /><img width="3024" height="4032" width_o="3024" height_o="4032" src_o="https://cortex.persona.co/t/original/i/1ca8dea468b10d32a88a73560faaa5707936196d4b6d8389ad07287be8ec8444/IMG_2111.jpeg" data-mid="1165408" border="0" /><img width="2448" height="3264" width_o="2448" height_o="3264" src_o="https://cortex.persona.co/t/original/i/870e3abf831aa86e848c6af588422963622aa38c70cb0e30f57d6f30ff110c63/IMG_20160719_191613.jpeg" data-mid="1165406" border="0" />es gibt keinen neuschnee ARTWORK/ EXHIBITIONGroup exhibition at Hilbertraum, Berlin, August 2015. THRESHOLDS OF RELATION; GEOFICTION; ART PRAXIS; MATTER AS MOVEMENT <img width="2448" height="3264" width_o="2448" height_o="3264" src_o="https://cortex.persona.co/t/original/i/9aa5b95258a9b85caf58c3d0df489621a58c5df4ba9220ed6c287d8162964cc1/2015-08-16-13.32.57.jpg" data-mid="1165413" border="0" /><img width="1032" height="1578" width_o="1032" height_o="1578" src_o="https://cortex.persona.co/t/original/i/5df19a034437ad0096bccae8c8c40f9feae40dd95eea32e36574bad403a4f2ff/b.jpeg" data-mid="1165414" border="0" /><img width="1124" height="1280" width_o="1124" height_o="1280" src_o="https://cortex.persona.co/t/original/i/f37270bde7d27aced05377f3a68ccb958b9b0f73c148246d0c5deba3a9417e02/image1.JPG" data-mid="1165410" border="0" /><img width="2048" height="1466" width_o="2048" height_o="1466" src_o="https://cortex.persona.co/t/original/i/36aace7e259ef7c6308130c79d4fff3ced31076ca3100baa891b58aeb2d4f883/IMG_5418.jpeg" data-mid="1165412" border="0" /><img width="2048" height="1536" width_o="2048" height_o="1536" src_o="https://cortex.persona.co/t/original/i/70f6fcea001c1e60cd342b5c1882eedcd01cc5108e619792e1b84719cfdf5295/IMG_5396.jpeg" data-mid="1165411" border="0" />open studio: paris, cite des arts ARTWORK/ EXHIBITIONOpen studio during my residency at the Cite des Arts, Paris. THRESHOLDS OF RELATION; GEOFICTION; ART PRAXIS; MATTER AS MOVEMENT; SUN DRAWING MACHINE <img width="560" height="420" width_o="560" height_o="420" src_o="https://cortex.persona.co/t/original/i/489e69aab14068dfea71239b2a787937c4727e1c44a2a19945dedc102b0b502d/PATTERNS2.jpeg" data-mid="1165417" border="0" /><img width="450" height="338" width_o="450" height_o="338" src_o="https://cortex.persona.co/t/original/i/99e7f2bfbb19adfa195709a941d10839225625ea9a4e4f3c01cda454ea8e5bc4/PATTERNS4.jpeg" data-mid="1165418" border="0" /><img width="2448" height="2186" width_o="2448" height_o="2186" src_o="https://cortex.persona.co/t/original/i/ede5aa7e8ea79f4398970c64feb0fca359e1daf3f6d5b21876c08dd1dcfec557/IMG_4431.jpeg" data-mid="1165416" border="0" /><img width="450" height="383" width_o="450" height_o="383" src_o="https://cortex.persona.co/t/original/i/a05457d1d22e98a800f154f9033a5dd51c2aedae41abf139ceff99dff36de7aa/IMG_4411-2.jpeg" data-mid="1165419" border="0" /><img width="450" height="311" width_o="450" height_o="311" src_o="https://cortex.persona.co/t/original/i/9467e9b954c7f706e8ccadbd7c11f95a65e9ba4281934a38aeaeebb5c6fef596/IMG_4406-2.jpeg" data-mid="1165420" border="0" /><img width="3182" height="2386" width_o="3182" height_o="2386" src_o="https://cortex.persona.co/t/original/i/038b30efa043dd27e13593ec535a1bbf73d4b7ca2feb3c35737788b940b262d9/IMG_4410-2.jpeg" data-mid="1165421" border="0" /><img width="1280" height="856" width_o="1280" height_o="856" src_o="https://cortex.persona.co/t/original/i/1ebba2a6843681b1879ed42fe1df3b7e28f726c524146559f2041a659a8490b4/03neonbluepastel.jpeg" data-mid="1165415" border="0" />Untitled sound works (1968 - 2014), festival of future nows at the neue nationalgalerie berlin ARTWORK/ EXHIBITIONThree site-specific sound installations in collaboration with Clara Jo, including a resonant exploration of the gallery's sculpture garden, a reading of the installation’s energetic intensities by artist/psychic Liz Rosenfeld, and field recordings at the site in northern Germany from which Chipperfield’s trees were removed. 2014. MATERIALITY OF SOUND; ART PRAXIS; ATTUNEMENT; FIELD RECORDINGS <img width="3648" height="2432" width_o="3648" height_o="2432" src_o="https://cortex.persona.co/t/original/i/f9f22a2eb3ce2251f669f7fa2305045656e864fcbb999ba0f94a56f8b4a0393b/R0018008.JPG" data-mid="1165425" border="0" /><img width="2544" height="1429" width_o="2544" height_o="1429" src_o="https://cortex.persona.co/t/original/i/a8e836430a7e3e012d06b267882fdbb84ae6766c4fd6e82d8952e2d64ccb5893/Screen-Shot-2016-10-02-at-4.38.23-PM.png" data-mid="1165422" border="0" /><img width="1300" height="866" width_o="1300" height_o="866" src_o="https://cortex.persona.co/t/original/i/df87600f630389f71ced0d41999d0bd9ec90baccc03a120e1b687af05bcd4a88/mg_5902-kopie-1300x866.jpg" data-mid="1165424" border="0" />&nbsp; &nbsp;Anthropocene campus berlin&nbsp; PRAXISParticipant in the inaugural anthropocene campus at the HKW Berlin in 2014, including production of field recordings in Northern Germany and at the Dong Xuan centre, and three working paper for the curriculum. FIELD RECORDING; ECOLOGIES OF PRAXIS; TEMPORALITIES; TRANSDISCIPLINARITIES <img width="728" height="861" width_o="728" height_o="861" src_o="https://cortex.persona.co/t/original/i/1572d37937019356e46343eceb919ada3d2d36a9711522adaf45a8cb94c3f8f8/Capture.png" data-mid="1165426" border="0" />Immediations, Sydney PRAXISParticipant in the Sydney immediations event with UNSW Sydney and Senselab participants, including Erin Manning and Brian Massumi. Fluid drawing event coordinated with Rochelle Haley. ECOLOGIES OF PRAXIS; DRAWING MACHINES; PROCESSUAL ART PRAXIS <img width="852" height="640" width_o="852" height_o="640" src_o="https://cortex.persona.co/t/original/i/f105db7343ef08d4cac81a3505bc8139645d22d3d4d72ef84f14afc0916c9a6e/10006972_10152387200171901_6708996420337980687_n.jpg" data-mid="1165427" border="0" /><img width="640" height="1136" width_o="640" height_o="1136" src_o="https://cortex.persona.co/t/original/i/6b445f18b42bd3051352e8b5ca6ae2b9e561091efeb2527e021925da72730430/IMG_0189.PNG" data-mid="1165429" border="0" /><img width="2448" height="3264" width_o="2448" height_o="3264" src_o="https://cortex.persona.co/t/original/i/590fb178a6e306553949a9a0fcab8158cd38bd0aba8baffcf004095bd434272d/FullSizeRender-6.jpg" data-mid="1165428" border="0" />&nbsp; &nbsp;SafARI&nbsp; ARTWORKParticipant in the 2014 SafARI festival for emerging artists. Site-specific collaborative works with Spence Messih, including choral performance (a sereneade to the sun), publication (eventually the sun will consume the earth), and two sculptural installations (the sun is not a circle; everything wants to fall). PRAXIS; SOLAR RELATIONS; MATERIALITY <img width="2440" height="1805" width_o="2440" height_o="1805" src_o="https://cortex.persona.co/t/original/i/c0b8fccdbd482e5f1c3790b5bc0c405a4be9e2059a8e6ab32f1c754823ba209d/thesunisnotacircle.jpg" data-mid="1165432" border="0" /><img width="2592" height="1936" width_o="2592" height_o="1936" src_o="https://cortex.persona.co/t/original/i/800765c256a88669185b3ebe3cbbf67984e606e93a6c555b5f24af47ab4bdf36/ewtf2.JPG" data-mid="1165430" border="0" /><img width="768" height="768" width_o="768" height_o="768" src_o="https://cortex.persona.co/t/original/i/2f06099bbfde10ff3de758c2e0bbd47ac12db15739e21a129c769f24e1fdc535/ECHOChoir_2014.jpg" data-mid="1165431" border="0" />Eventually the Sun will Consume the Earth ARTIST BOOKArtist book published as part of the 2014 SafARI festival for emerging artists, with Spence Messih. PRAXIS; SOLAR RELATIONS; MATERIALITY <img width="994" height="727" width_o="994" height_o="727" src_o="https://cortex.persona.co/t/original/i/be8cced510f0b44ed24226cfb282d0ac101df3ebeb913797449778270ec83cc8/eventuallybookdocumentation.png" data-mid="1165434" border="0" /><img width="1403" height="2000" width_o="1403" height_o="2000" src_o="https://cortex.persona.co/t/original/i/da03526dff4b54b981c9e79b3338d9ef193f4a4c23c696c8aceca55f5590da91/wagglefinal.jpg" data-mid="1165435" border="0" />SARAI Delhi ARTWORKParticipant in the 2013 Sarai Reader festival in Delhi/Gurgaon, India, curated by RAQS Media Collective. Construction of a time machine sculpture, zine and video work related to the project, ‘Possible vehicles for time travel’. With Elliot Hughes. PRAXIS; TEMPORALITIES; MORE-THAN-HUMAN; DURATION; FICTIONING <img width="1438" height="793" width_o="1438" height_o="793" src_o="https://cortex.persona.co/t/original/i/6e7288aaf8083fa5e9e8db4404c2cd40f316d6abab7956b39922e71e56873914/Screen-shot-2013-03-19-at-9.25.16-PM.png" data-mid="1165436" border="0" /><img width="1111" height="1164" width_o="1111" height_o="1164" src_o="https://cortex.persona.co/t/original/i/d1074526b3c8bd5afa80b4934917d5db09649004883c7488395f9201034b264b/cropped.jpg" data-mid="1165437" border="0" />Precarious telling,Senselab Montreal EVENTPrecarious storytelling event with Justy Phillips and Ulla Juel Petersen during our research residency at the Senselab Montreal, 2013. PRAXIS; FICTIONING; MYTHOPOESIS <img width="677" height="961" width_o="677" height_o="961" src_o="https://cortex.persona.co/t/original/i/32256f314beeb2bb21b4a308f14a8a44166de16edb3e2d04131c0de44f52acc9/Screenshot-2021-10-13-at-19.07.16.png" data-mid="1165438" border="0" data-scale="70"/>Sun Drawing Machine ARTWORK Speculative sun drawing machine, with radiant heat and beaswax. Process work at the Institut für Räumexperimente, Berlin, 2011. PRAXIS; MATTER AS MOVEMENT; FICTIONING; DRAWING MACHINES; SUN WORSHIP <img width="709" height="1059" width_o="709" height_o="1059" src_o="https://cortex.persona.co/t/original/i/2648ca482211672402816c77039a12b5c1255d717d8d37b8f3cbefbf96f6ecae/sundrawing2.jpg" data-mid="1165443" border="0" /><img width="3872" height="2592" width_o="3872" height_o="2592" src_o="https://cortex.persona.co/t/original/i/c2b5141e07c4d7cffc4798d79ed6f7e3839cc6471b195e8cd99d6abcf74792ec/DSC_0013.jpeg" data-mid="1165446" border="0" />The weather has been beautiful (the Sun is always shining) ARTWORK Installation for IFREX/ Olafur Eliasson’s ‘Mapping Everything’ project in Berlin Tiergarten, 2011. A sculpture for a perpetual sunlight perspective. PRAXIS; SUN WORSHIP; PERCEPTION <img width="2592" height="3872" width_o="2592" height_o="3872" src_o="https://cortex.persona.co/t/original/i/8aba6a6d20ca0f345718051e5985ec30565dbbc4d554d29fb4251667d1f50dc7/twhbb.jpeg" data-mid="1165447" border="0" /><img width="560" height="375" width_o="560" height_o="375" src_o="https://cortex.persona.co/t/original/i/9deead8c65cacec5d7997062a1587a1370a7398efb0e82f0c0e075759c477863/SUN.jpg" data-mid="1165445" border="0" /><img width="3872" height="2592" width_o="3872" height_o="2592" src_o="https://cortex.persona.co/t/original/i/599e4af0b5e02c722b3bd53f20961aee788df51237cb154e01f98909b20c821c/twhbb2.jpeg" data-mid="1165448" border="0" />As brave as you EXHIBITION Oceanograph III exhibited in the group exhibition As Brave as You, Kudos Gallery, Sydney, 2011. PRAXIS; MATTER AS MOVEMENT; WAVE METHODOLOGY; FICTIONING; DRAWING&nbsp; MACHINES <img width="2480" height="1169" width_o="2480" height_o="1169" src_o="https://cortex.persona.co/t/original/i/4b7742e77c277c4f47f9eed94040e78b73bb3e12d84e57027a6adfa35d7483a5/As-brave-as-you---invite.jpg" data-mid="1165444" border="0" />Oceanographs I - III ARTWORK Speculative ocean drawing machines (Oceanographs I, II and III) which translate tidal movements, the swell and slip of currents into diagrams of fluid possibility. Exhibited in ‘As brave as you’, Kudos, Sydney. PRAXIS; MATTER AS MOVEMENT; WAVE METHODOLOGY; FICTIONING; DRAWING&nbsp; MACHINES &nbsp; &nbsp;<img width="2592" height="3872" width_o="2592" height_o="3872" src_o="https://cortex.persona.co/t/original/i/59f8290adf0a6f4bd7eb59f5e2a121853c725b9b14fde14a326d4e103214f565/DSC_0157.jpeg" data-mid="1165451" border="0" /><img width="3872" height="2592" width_o="3872" height_o="2592" src_o="https://cortex.persona.co/t/original/i/86f660b9bf3305c32ea3ada2aa8cb2b643725c56e32520444a60974280a50a3f/DSC_0161.jpeg" data-mid="1165452" border="0" /><img width="3872" height="2592" width_o="3872" height_o="2592" src_o="https://cortex.persona.co/t/original/i/0e51dd1c53018e175056a32d79e7d9eeebb7b30b384e8851651552705c98b460/DSC_0163.jpeg" data-mid="1165450" border="0" /><img width="3872" height="2592" width_o="3872" height_o="2592" src_o="https://cortex.persona.co/t/original/i/3a34a0a96da411f9fb7474d95a117ef69f1606306b8f7d37d7d6e967e0c7f22e/DSC_0071.jpeg" data-mid="1165449" border="0" /><img width="3872" height="2592" width_o="3872" height_o="2592" src_o="https://cortex.persona.co/t/original/i/f5630753033fbca255df44a661b5120f1bfa91baad6aedc5c8beab52f2bedacf/DSC_0089.jpeg" data-mid="1165453" border="0" /><img width="2592" height="3872" width_o="2592" height_o="3872" src_o="https://cortex.persona.co/t/original/i/f5dda0fd4c149318939aed69b85611b47c5f5209bd170823bb997a6cba6a005e/DSC_0104.jpeg" data-mid="1165454" border="0" /><img width="319" height="214" width_o="319" height_o="214" src_o="https://cortex.persona.co/t/original/i/bb9e07f9866593cbf1428ecc72ad08709abcd8e9f346fe1423b766a52c75e40b/DSC_0114.jpg" data-mid="1165456" border="0" /><img width="319" height="214" width_o="319" height_o="214" src_o="https://cortex.persona.co/t/original/i/470954b0932dfec376e49364cb09b5e9bec3df426f5ecc6143364e19e20cb2cf/DSC_0106-copy.jpg" data-mid="1165455" border="0" />Postograph ARTWORK Speculative postal drawing machine. Winner of the Marrickville Art Prize (2009), exhibited in Beijing (2010). PRAXIS; MATTER AS MOVEMENT; FICTIONING; DRAWING MACHINES <img width="3456" height="2592" width_o="3456" height_o="2592" src_o="https://cortex.persona.co/t/original/i/f433e87dc3890e7f8930245aa06048df59249eccf27245f02aae87648e5fe233/postograph---beijing4.JPG" data-mid="1165460" border="0" /><img width="800" height="535" width_o="800" height_o="535" src_o="https://cortex.persona.co/t/original/i/be17f7215d6813cc2b521905b1c02381da09d3bf6a5054f6e928f666c6400951/DSC_0046.jpg" data-mid="1165457" border="0" /><img width="800" height="535" width_o="800" height_o="535" src_o="https://cortex.persona.co/t/original/i/d80e1bb15a8095d46d71e4bb871b40023d463545f8a0205a7164427609c5d1ae/DSC_0052.jpg" data-mid="1165458" border="0" /><img width="800" height="535" width_o="800" height_o="535" src_o="https://cortex.persona.co/t/original/i/955de2665f0c51708b88253b3e2bcb1e6a1626d870da89bc7779fcfd5b3b1815/DSC_0062.jpg" data-mid="1165459" border="0" /> ALLY BISSHOP&nbsp; 👀️ 🌾 🕷 🕸 💦 🐚 INFO&nbsp; &nbsp;PROJECTS&nbsp; &nbsp;INSTAGRAM&nbsp;The Blue Humanities: 4th international environmental... http://allybisshop.com/ARTICULATING-THESHOLDS-abstract Fri, 30 Apr 2021 04:00:46 +0000 ally bisshop 404341 Articulating thresholds ~ artistic techniques for more-than-human sensitivities Articulating thresholds ~ artistic techniques for more-than-human sensitivities http://allybisshop.com/ARTWORKS Fri, 09 Oct 2020 13:14:33 +0000 ally bisshop 386898 <img width="2362" height="3543" width_o="2362" height_o="3543" src_o="https://cortex.persona.co/t/original/i/8fb444db5af4fb50fdda82bbeeca763143196227ca8b0248d3e8bc2d49f46a28/A-B-MAY18-23.jpg" data-mid="991336" border="0" /><img width="2448" height="3264" width_o="2448" height_o="3264" src_o="https://cortex.persona.co/t/original/i/3a8df2f0026d330686dc8d6317e9f2fdb04371de089374fd26d3a1cd98202758/IMG_1155-2.jpg" data-mid="991351" border="0" /><img width="2957" height="3943" width_o="2957" height_o="3943" 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src_o="https://cortex.persona.co/t/original/i/e16add0f751de2f77a0718ab2f1694748a3b2516ef7d54c1def4ad01454e908a/IMG_5217.jpg" data-mid="991438" border="0" /><img width="3264" height="2448" width_o="3264" height_o="2448" src_o="https://cortex.persona.co/t/original/i/e8f74caec66f14657d380dfacf68d6e9ce640c744c26b8a4ac61fba669032cc2/2015-05-27-19.01.37.jpg" data-mid="991470" border="0" /><img width="2116" height="1980" width_o="2116" height_o="1980" src_o="https://cortex.persona.co/t/original/i/c4ec9b0c3cb2a7afa264e451ed1e94876cda35bb3fe303603fb870391fc46df6/IMG_3765.jpg" data-mid="991478" border="0" /><img width="1300" height="866" width_o="1300" height_o="866" src_o="https://cortex.persona.co/t/original/i/7e2123bd6990f72bbce6a61ff2f84db6b5d32acd648932083fe75df884feb7ed/mg_7450-1300x866.jpg" data-mid="991486" border="0" /><img width="818" height="514" width_o="818" height_o="514" src_o="https://cortex.persona.co/t/original/i/892dd1699c3ea0cfedd93d1b89850d6029439f9115d56fe7264beb3c8eba64dd/david-chipperfield-sticks-and-stones-neue-nationalgalerie-berlin-designboom-04.jpg" data-mid="991491" border="0" /><img width="1300" height="866" width_o="1300" height_o="866" src_o="https://cortex.persona.co/t/original/i/592e1b1ee6b82f0fe151cd837368dbfd8d3d464a0a2532e49618038ccb6a206a/mg_7550-1300x866.jpg" data-mid="991492" border="0" /><img width="2592" height="3872" width_o="2592" height_o="3872" src_o="https://cortex.persona.co/t/original/i/ba162559e4ca23f07861f23ada83fb24d5f3872e731cbce6ea5b3bd038ecce4f/twhbb.jpg" data-mid="991506" border="0" /><img width="2592" height="3872" width_o="2592" height_o="3872" src_o="https://cortex.persona.co/t/original/i/10bc16176c8939e3feebf4d35b041e46feaaceb728c5dfbb8d5b6cfb497c96a9/DSC_0024.JPG" data-mid="991510" border="0" /><img width="319" height="214" width_o="319" height_o="214" src_o="https://cortex.persona.co/t/original/i/fd3806525c463f0de303e1918cb6b1d9f1d39c5ef8e9093ff2c587f44604f590/DSC_0100-copy.jpg" data-mid="991533" border="0" /><img width="319" height="214" width_o="319" height_o="214" src_o="https://cortex.persona.co/t/original/i/cd14c406936cf578f988f66e61286bd540915a2a35ecfa3981cca5316feae9a9/DSC_0106-copy.jpg" data-mid="991534" border="0" /><img width="800" height="535" width_o="800" height_o="535" src_o="https://cortex.persona.co/t/original/i/f77f9e4f5ca5703bf4519d1268a406c8fd9f800b437688213b5eb409a8026236/DSC_0052.jpg" data-mid="991535" border="0" /><img width="800" height="535" width_o="800" height_o="535" src_o="https://cortex.persona.co/t/original/i/fff8fa6b8c8a6a0f743e8af12be0b0f72f618718925caa9e9fd5b8b1c7d08a8d/DSC_0062.jpg" data-mid="991536" border="0" /> http://allybisshop.com/NEWS Wed, 07 Oct 2020 15:13:15 +0000 ally bisshop 386735 🏡 New(s) Future present(s) March 2022 Presenting a paper, ‘Mythopoesis, speculation, divination, vibration: artistic methods for human- spider communication‘ at the conference, Humans and Insects in Multispecies Networks, University of Turku, Finland. Past(s) November 2021 A reading from my book Marble (2017) at Zabriskie Buchladen für Kultur und Natur, in conversation with Kate Donovan and Catherine Evans on Tuesday 30 November for RADIO OTHERWISE. October 2021On Saturday 09 October I will lead a walking spider tour with entomologist Dr Roland Mühlethaler for Tomás Saraceno’s Arachnophilia, for the Berliner Festspiele event, The Sun Machine is Coming Down at the ICC Berlin. September 2021A German translation of my essay, Spider phenomenology: a speculative foray through the world of Pholcus gropiusbau,&nbsp; published in the Berliner Festspiele publication, Down to Earth, arising from the festival of the same name held at Martin Gropuis Bau, Berlin in 2020.&nbsp; July 2021I am the resident artist at the art-science residency at ÖRES on the island of Örö, Finland, for the month of July. June 2021I am an invited panellist for the panel, ‘More-than-human sensing’, as part of the conference Other (ing) sensing. Practices, Politics and Ethics of Sensitive Media at the University of Potsdam, Germant, 16 - 18 June. June 2021My field recording from the Howard Springs Quarantine Facility in Darwin, Northern Territory Australia to be included in the new NTS Radio Field Recordings channel/mixtape, premiering Thursday 3 June at 12 pm CET. March 2021Presented a sonic essay/artistic intervention on duration during the Tenporal Belongings conference, The Material Life of Time, convened by conference organisers Thom van Dooren, Michelle Bastian, Hugo Reinert, Helge Jordheim and Lisa Baraitser. December 2020An essay written on the occasion of Tomás Saraceno’s NYE concert for Festa di Roma, titled: Haptic astronomy; or, how else to read the cosmos? About the cosmos, perception, vibrational ontology and spiders. October 2020A new speculative essay, ‘Symbiotic skins, metabolic schema ~’ in dialogue with Tomás Saraceno was published as part of The Skin of Things project by philosopher Michael Marder and artist Anais Tonder. A short lyric essay,&nbsp;An ache, a knot, a thread, on the myth of Arachne as a contribution to Bernd Herzogenrath’s (C)OVID’s Metamorphoses exquisite corpse project. On October 30, 6 pm primetime, Cashmere Radio 88.4 Berlin and 90.7 Potsdam: "Nachtgartenkosmos" : a cut-up of Datscha Radio's 2017-2020 transmission events, including parts of my contribution in August 2020. September 2020 Public talk and discussion about speculative spider phenomenology with Tomás Saraceno at Martin Gropius Bau, Berlin, for the exhibition, Down to Earth initiated by Thomas Oberender. August 2020 Reading from my book, Possible vehicles for time travel at the Datscha Radio festival, Berlin. June 2020 Paper delivered at the European Society for Arts, Literature and the Sciences (SLSAeu) 2020 conference, Anthropocene(s) at Museum Śląskie, Poland. Paper title: ‘Queering the wound: zoetic figurations of nonhuman life as tools for rethinking death’. 🏡 New(s) Future present(s) March 2022 Presenting a paper, ‘Mythopoesis, speculation, divination, vibration: artistic methods for human- spider... http://allybisshop.com/Contact Wed, 07 Oct 2020 13:42:46 +0000 ally bisshop 386722 🏡 Contact ✉️ If you have a question, comment or request, please feel welcome to&nbsp;email me. I occasionally post to&nbsp;Twitter 🐦 and Instagram 📸&nbsp; | &nbsp;I’m a neglectful curator of my Academia profile. <img width="889" height="1008" width_o="889" height_o="1008" src_o="https://cortex.persona.co/t/original/i/051a71374a2899ad77a9001397bd14129ec792477ed851a858507df75ccfcaa1/Screen-Shot-2020-10-07-at-16.47.20.png" data-mid="990822" border="0" data-scale="45"/>&nbsp;<img width="599" height="664" width_o="599" height_o="664" src_o="https://cortex.persona.co/t/original/i/cf38ec35df1815bd818d76e667e6e9ba2b2fe648a64e3b6f3e1bf78eb6fac783/Screenshot-2020-10-16-at-13.34.29.png" data-mid="994598" border="0" data-scale="45"/> 🏡 Contact ✉️ If you have a question, comment or request, please feel welcome to&nbsp;email me. I occasionally post to&nbsp;Twitter 🐦 and Instagram... http://allybisshop.com/Project-Index-It-matters-what-moves-Thanks-Jasmine-Minimum-physics Wed, 07 Oct 2020 13:24:37 +0000 ally bisshop 386715 aHolobiosonics 🐚 👂🏽 | It matters what moves | Thanks, Jasmine | Minimum physics |&nbsp; Possible vehicles for time travel | The bees 🐝 will tell us | The bird sings with its fingers 👐🏼 (three times)&nbsp; | Marble | We were dead and didn’t notice 👀 | Trembling in the balance | An old chaos of the sun | Es gibt keinen neuschnee | The weather has been beautiful | Oceanographs 🌊 | Let the sun ⛅ drag itself out into a long ray | Untitled sound works | (‘bout me 🌵 ) aHolobiosonics 🐚 👂🏽 | It matters what moves | Thanks, Jasmine | Minimum physics |&nbsp; Possible vehicles for time travel | The bees 🐝 will tell us |... http://allybisshop.com/Jasmine-performance Sun, 17 Mar 2019 14:16:25 +0000 ally bisshop 315983 ↩ Performance at finissage for exhibition, It Matters What Moves PhD thesis exhibition, AD Space, UNSW Sydney (2018). Sound artist / musician Jasmine Guffond’s performance within the exhibition of an original piece that was inspired by the sonic possibilities of stone. * it matters what moves * from Ylla Pohssib on Vimeo. ↩ Performance at finissage for exhibition, It Matters What Moves PhD thesis exhibition, AD Space, UNSW Sydney (2018). Sound artist / musician Jasmine Guffond’s... http://allybisshop.com/Text_Index Mon, 26 Nov 2018 09:56:24 +0000 ally bisshop 299843 🏡 Selected Texts On Doubt&nbsp; (WIP) Spider phenomenology: a speculative foray through the world of Pholcus gropiusbau (forthcoming) Symbiotic skins: metabolic schema (forthcoming) Minimum physics: more vehicles for time travel (WIP) Queering the wound: zoetic figurations of nonhuman life as tools for rethinking death (2019) Spider death rites: sex, sacrifice, survival in itself (2019) Arachnid Orchestras: Artistic Researc in Vibrational Interspecies Communication (2019) Invertebrate architectures: what of the spider remains in the web? (2019) Possible vehicles for time travel (2018) Inter/sections: interspecies communication with insects, spiders and other invertebrates (2018) Marble (2017) Trembling in the balance (2016)&nbsp; Eventually the Sun will consume the Earth (2014) Feeling/following (2014) Book&nbsp; &nbsp;Edition Essay for Michael Marder’s&nbsp; project, The&nbsp;Skin of Things Book Paper, SLSAeu: Anthropocene(s), Poland Paper, Queer Death Studies conference, Karlstad, Sweden Chapter in Book: Biotremology (Springer, Ed: Peggy Hill) Paper, Animal Remains conference, Sheffield, UK BookConference paper given at Earthbound Aarhus, Denmark&nbsp; Book, Lost Rocks series, A Published Event.PhD thesis: Articulating thresholds: artistic techniques for more-than-human sensitivitiesBook published for the SafARI festival Paper developed as part of the&nbsp; HKW Anthropocene curriculum Excerpt ... ... Excerpt... ... Link ... Excerpt ... Excerpt Excerpt Excerp&nbsp;&nbsp; Link 🏡 Selected Texts On Doubt&nbsp; (WIP) Spider phenomenology: a speculative foray through the world of Pholcus gropiusbau (forthcoming) Symbiotic skins:... http://allybisshop.com/Festival-of-Future-Nows-1 Sun, 25 Nov 2018 13:27:57 +0000 ally bisshop 299724 ↩ Festival of future nows (I)Untitled soundworks (1968 - 2014). Three sound installations, created in collaboration with Clara Jo. Exhibited in ‘Festival of Future Nows’, Neue Nationalgalerie, Berlin (2014). Curated by Christina Werner, Eric Ellingsen and Fotini Lazaradou-Hatzigoga. Project of Olafur Eliasson’s Institut für Räumexperimente. ↩ Festival of future nows (I)Untitled soundworks (1968 - 2014). Three sound installations, created in collaboration with Clara Jo. Exhibited in ‘Festival of... http://allybisshop.com/LET-THE-SUN-DRAG Sat, 24 Nov 2018 17:48:52 +0000 ally bisshop 299684 ↩ Let the Sun drag itself out into a long rayExperiments in solar drawing. 2010 - ongoing. <img width="560" height="560" width_o="560" height_o="560" src_o="https://cortex.persona.co/t/original/i/db3e6e1e871275e96b092fee42497eb02da41e00a9289d6331b33663eeb55da9/08.JPG" data-mid="588233" border="0" data-scale="65"/><img width="560" height="560" width_o="560" height_o="560" src_o="https://cortex.persona.co/t/original/i/05295028b415cbf5d417597d5f26c2edd1169be86ad251e08cc71332da14bb1e/06.JPG" data-mid="588228" border="0" data-scale="76"/><img width="560" height="396" width_o="560" height_o="396" src_o="https://cortex.persona.co/t/original/i/a139dfc4b1984f17e045563f7a433a10372273e4633d159e9242ec3bff97203a/05.JPG" data-mid="588232" border="0" /><img width="560" height="420" width_o="560" height_o="420" src_o="https://cortex.persona.co/t/original/i/1f6fd11205fc925f11aa9b629905b2d2f7a595f5a548901b88d4a3c51087f21d/01.JPG" data-mid="588226" border="0" /><img width="560" height="420" width_o="560" height_o="420" src_o="https://cortex.persona.co/t/original/i/9c7274a8fd7c3dbf222f5adaed415c913ee768bf4fb275313afd7a24c68a6948/04.JPG" data-mid="588231" border="0" /><img width="560" height="420" width_o="560" height_o="420" src_o="https://cortex.persona.co/t/original/i/b5c50eec0523517351163c09ee8093d14ae50401c67f52f6190ec7d896723d36/03.JPG" data-mid="588230" border="0" /><img width="560" height="420" width_o="560" height_o="420" src_o="https://cortex.persona.co/t/original/i/0521a1b25bd4da85059c21c200f9c28d92e7059f54cadc531a44d7be57a84b03/02.JPG" data-mid="588229" border="0" /><img width="560" height="560" width_o="560" height_o="560" src_o="https://cortex.persona.co/t/original/i/091b956a2114478066103a5cdfe3d38fad30f615e94706f28a0129ddc81cc19e/07.JPG" data-mid="588227" border="0" /><img width="3872" height="2592" width_o="3872" height_o="2592" src_o="https://cortex.persona.co/t/original/i/adb61f7fd196c03d088ae711586363338d0d7f93533a543b23bfecaad0c6b032/DSC_0013.JPG" data-mid="592767" border="0" data-scale="60"/><img width="709" height="1059" width_o="709" height_o="1059" src_o="https://cortex.persona.co/t/original/i/7ec02465224810ed6d74daa344554e701cc6b23ed547629284df99d299b76412/sundrawing1.jpeg" data-mid="592774" border="0" data-scale="45"/><img width="709" height="1059" width_o="709" height_o="1059" src_o="https://cortex.persona.co/t/original/i/bd0deeeab96e2bb949cf51f1f3b94b35e6cd9629ef01609ec13964f95b2a6293/sundrawing2.jpg" data-mid="592791" border="0" data-scale="45"/> ↩ Let the Sun drag itself out into a long rayExperiments in solar drawing. 2010 - ongoing.